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december_donor_update [2017/12/13 15:14] – [New Writer] Carlos Pedrazadecember_donor_update [2018/08/23 16:51] (current) – [Fundraising] format fix Carlos Pedraza
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 Peters' crowning 2017 achievement was establishing the subsidized OWC Studios in Lawrenceville, Ga., after having to abandon its California studio in May, moving its contents cross-country to the new warehouse. Peters' crowning 2017 achievement was establishing the subsidized OWC Studios in Lawrenceville, Ga., after having to abandon its California studio in May, moving its contents cross-country to the new warehouse.
  
-"OWC Studios is now officially open!" Peters wrote in the update thanking Illinois-based OWC for its "continued support of our efforts!"(("An Update from Axanar Executive Producer Alec Peters," newsletter to Axanar donors, 12/12/17.))+"OWC Studios is now officially open!" Peters wrote in the update, thanking Illinois-based OWC for its "continued support of our efforts!"(("An Update from Axanar Executive Producer Alec Peters," newsletter to Axanar donors, 12/12/17.))
  
 Peters assured donors, "The studio is YOUR studio. While we couldn't make Ares Studios in Los Angeles a success due to CBS' lawsuit, OWC Studios in Georgia is the happy successor and the result of every single donor's donation.  So THANK YOU!" Peters assured donors, "The studio is YOUR studio. While we couldn't make Ares Studios in Los Angeles a success due to CBS' lawsuit, OWC Studios in Georgia is the happy successor and the result of every single donor's donation.  So THANK YOU!"
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 As reported by **AxaMonitor** in May 2016, Axanar ran out of its donated funds because it was losing $15,000 each month paying rent and overhead for a three-year lease Peters had signed for a facility he only needed for a feature film that would have been in shot in just about a month. As reported by **AxaMonitor** in May 2016, Axanar ran out of its donated funds because it was losing $15,000 each month paying rent and overhead for a three-year lease Peters had signed for a facility he only needed for a feature film that would have been in shot in just about a month.
  
-<wrap em>PANDERING</wrap> **Whose Studio Is It Anyway?** Apparently, the answer depends on whom Peters is addressing. With so much of donors' money wasted on a building out a studio in which no part of //Axanar// was ever shot, Peters' update sought to keep donors' spirits up, telling them: "OWC Studios in Georgia is the happy successor and the result of every single donor's donation."+<wrap em>PANDERING</wrap> **Whose Studio Is It Anyway?** Apparently, the answer depends on whom Peters is addressing. With so much of donors' money wasted on building out a studio in which no part of //Axanar// was ever shot, Peters' update sought to keep donors' spirits up, telling them: "OWC Studios in Georgia is the happy successor and the result of every single donor's donation."
  
 However, his lyrical assurance to donors that " the studio is YOUR studio" struck a dissonant chord with what Peters stated in the Official Axanar Podcast #50, on which OWC chief executive officer Larry O'Connor was a guest: “This is [OWC's] studio. They are the ones paying the bills.”(([[http://axanar.trekfm.libsynpro.com/official-axanar-podcast-episode-50|Official Axanar Podcast: Episode 50]], 10/28/17.)) However, his lyrical assurance to donors that " the studio is YOUR studio" struck a dissonant chord with what Peters stated in the Official Axanar Podcast #50, on which OWC chief executive officer Larry O'Connor was a guest: “This is [OWC's] studio. They are the ones paying the bills.”(([[http://axanar.trekfm.libsynpro.com/official-axanar-podcast-episode-50|Official Axanar Podcast: Episode 50]], 10/28/17.))
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 <WRAP> <WRAP>
-//**__« What I felt [the Axanar script] lacked was that it didn’t feel like this was being done by //people//; it’s just a series of things that happen. »__**// //— New Axanar writer Paul Jenkins//+//**__« What I felt [the Axanar script] lacked was that it didn’t feel like this was being done by //people//; it’s just a series of things that happen. »__**// //— New //Axanar// writer Paul Jenkins//
 </WRAP> </WRAP>
  
-===== Progress on Axanar Lite =====+===== Progress on 'Axanar Lite' =====
  
-Peters' update painted a rosy picture of progress toward producing the 30-minute version of //Axanar//:+Peters' update painted a rosy picture of progress toward producing the 30-minute version of //Axanar// (AKA [[Axanar Lite]]):
  
 [{{ ::paul_jenkins.jpg|New Axanar writer **Paul Jenkins**}}] [{{ ::paul_jenkins.jpg|New Axanar writer **Paul Jenkins**}}]
  
 > Now that we are closer to having a revised and locked script, and we are well into pre-production, we are planning our next (and hopefully last!) fundraiser.(("An Update from Axanar Executive Producer Alec Peters," newsletter to Axanar donors, 12/12/17.)) > Now that we are closer to having a revised and locked script, and we are well into pre-production, we are planning our next (and hopefully last!) fundraiser.(("An Update from Axanar Executive Producer Alec Peters," newsletter to Axanar donors, 12/12/17.))
 +
 +<WRAP center 90%>
 +<wrap lo>**//See also:// [[august_2018_update|Axanar Aims for Winter Shoot, Comic-Con 2019 Premiere]]**</wrap>
 +</WRAP>
  
 ==== New Writer ==== ==== New Writer ====
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 As demonstrated by **AxaMonitor**'s analysis of Axanar's [[annual report|budget, spending]] and fundraising by the end of 2015, the production's crowdfunding had slowed, totaling [[crowdfunding_platforms#crowdfunding_grand_totals|barely 44 percent]] of the amount needed to produce the feature film. As demonstrated by **AxaMonitor**'s analysis of Axanar's [[annual report|budget, spending]] and fundraising by the end of 2015, the production's crowdfunding had slowed, totaling [[crowdfunding_platforms#crowdfunding_grand_totals|barely 44 percent]] of the amount needed to produce the feature film.
  
-Peters appeared to be a bit more forthcoming about his responsibility for Axanar's financial failure, stating in the most recent Axanar Podcast: "“I wish I had the foresight to not build the studio four years ago.”(([[http://axanar.trekfm.libsynpro.com/official-axanar-podcast-episode-50|Official Axanar Podcast: Episode 50]], 10/28/17.)) He sunk nearly $750,000 into that project, hoping to come out of the project with a soundstage he could use for other commercial productions; that was half of the money raised from donors — all gone.+In the most recent Axanar Podcast, Peters appeared to be a bit more forthcoming about his responsibility for Axanar's financial failure: “I wish I had the foresight to not build the studio four years ago.”(([[http://axanar.trekfm.libsynpro.com/official-axanar-podcast-episode-50|Official Axanar Podcast: Episode 50]], 10/28/17.)) He sunk nearly $750,000 into that project, hoping to come out of the project with a soundstage he could use for other commercial productions; that was half of the money raised from donors — all gone.
  
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 </WRAP> </WRAP>
  
-<wrap em>FALSE</wrap> **Cost of 'Prelude'**. Peters based his estimate for the $150,000 cost of the forthcoming Axanar short films on how much //Prelude to Axanar// was able to raise in its [[prelude_kickstarter_details|Kickstarter]] campaign. What he neglected to mention was that //Prelude//'s true cost, according to his own 2015 [[annual report]], was actually nearly 25 percent higher — $123,285; //Prelude// ran a [[annual_report#deficits|nearly $10,000 deficit]] that was made up only by taking money from Axanar's subsequent second Kickstarter campaign.+<wrap em>FALSE</wrap> **Cost of 'Prelude'**. Peters based his estimate for the $150,000 cost of the forthcoming Axanar short films on how much //Prelude to Axanar// was able to raise in its [[prelude_kickstarter_details|Kickstarter]] campaign. What he neglected to mention was that //Prelude//'s true cost, according to his own 2015 [[annual report]], was actually nearly 25 percent higher — $123,285; //Prelude// ran a [[annual_report#deficits|nearly $10,000 deficit]] that was made up only by taking money from the subsequent Kickstarter campaign — funds donors were told were intended for the feature film.
  
 Using Peters' own method for estimating the budget of the 30-minute version of //Axanar// (150 percent of //Prelude//'s cost), he would need closer to $185,000 — much closer to the $200,000 observers have estimated production would require. Using Peters' own method for estimating the budget of the 30-minute version of //Axanar// (150 percent of //Prelude//'s cost), he would need closer to $185,000 — much closer to the $200,000 observers have estimated production would require.
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 Most importantly, Peters agreed to the terms of the lawsuit settlement preventing him from public fundraising (e.g., Kickstarter or Indiegogo) to pay for the Axanar shorts. That severely constrains Axanar's funding options. It's misleading to portray the shorts' funding prospects as being similar to //Prelude//'s. Without crowdfunding, only private appeals are possible, limiting the viral campaign that previously proved so successful for Axanar. Moreover, in its 2017 Indiegogo campaign Peters sought more than $200,000 to save his ill-fated California studio, counting on his vaunted 15,000 supporters to come to his rescue. Barely more than 300 donated just $22,020, casting the loyalty of those 15,000 into doubt. Most importantly, Peters agreed to the terms of the lawsuit settlement preventing him from public fundraising (e.g., Kickstarter or Indiegogo) to pay for the Axanar shorts. That severely constrains Axanar's funding options. It's misleading to portray the shorts' funding prospects as being similar to //Prelude//'s. Without crowdfunding, only private appeals are possible, limiting the viral campaign that previously proved so successful for Axanar. Moreover, in its 2017 Indiegogo campaign Peters sought more than $200,000 to save his ill-fated California studio, counting on his vaunted 15,000 supporters to come to his rescue. Barely more than 300 donated just $22,020, casting the loyalty of those 15,000 into doubt.
  
-<wrap em>DUBIOUS</wrap> **Returning Actors**. To keep fans’ interest in Axanar alive, Peters had previously claimed the Star Trek alumni actors who appeared in //Prelude// would return, pointing especially to Gary Graham and J.G. Hertzler. The terms of lawsuit settlement allow the actors to appear in the short films. However, without a script, a budget, funding and shooting schedule none has made a firm commitment. Graham, in fact, has [[prelude_actors_bloopers#actors_future_with_axanar|distanced himself]] from the project. Kate Vernon has refused to confirm she remains attached to the project.+<WRAP center 90%> 
 +<wrap lo>**//See also: [[facebook_group|Trial Balloon for Axanar Funding Fails to Fly]]//**</wrap> 
 +</WRAP> 
 + 
 +<wrap em>DUBIOUS</wrap> **Returning Actors**. To keep fans’ interest in Axanar alive, Peters had previously claimed the Star Trek alumni actors who appeared in //Prelude// would return, pointing especially to Gary Graham and J.G. Hertzler. The terms of the lawsuit's settlement allow the actors to appear in the short films. However, without a script, a budget, funding and shooting schedule none has made a firm commitment. Graham, in fact, has [[prelude_actors_bloopers#actors_future_with_axanar|distanced himself]] from the project. Kate Vernon has refused to confirm she remains attached to the project.
  
 Importantly, no other lead creative staff have been named. Importantly, no other lead creative staff have been named.
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 ===== Wrong Address ===== ===== Wrong Address =====
  
-Despite touting OWC Studios lavish new digs outside Atlanta, the Donor Update instead displayed the defunct Industry Studios' address in Valencia. Calif. {{:axamonitor-ico.gif?nolink|}}+Despite touting OWC Studios' lavish new digs outside Atlanta, the Donor Update instead displayed the defunct Industry Studios' address in Valencia. Calif. {{:axamonitor-ico.gif?nolink|}}
  
 <WRAP tip 75%> <WRAP tip 75%>