Differences

This shows you the differences between two versions of the page.

Link to this comparison view

Both sides previous revisionPrevious revision
Next revision
Previous revision
axanar_myths [2016/09/15 02:50] – adds byline Carlos Pedrazaaxanar_myths [2018/05/02 12:42] (current) – [Paying the Rent] Carlos Pedraza
Line 34: Line 34:
 | Axanar Productions is entirely focused on making Star Trek fan films. | Not according to what was told to backers of the [[axanar_kickstarter_details|Axanar Kickstarter]] campaign: "This [studio] will be the permanent home of Axanar Productions and allow us to do more than just //Axanar//, from other adventures in the Star Trek universe and beyond. David Gerrold (author of 'The Trouble with Tribbles') is already lined up to shoot his sci-fi series, //Running Dark//, here."(([[https://www.kickstarter.com/projects/194429923/star-trek-axanar/description|Axanar Kickstarter campaign page]], retrieved 3/1/16.)) | {{::ks-studio.jpg?direct&100|}} \\ <wrap lo>Click image to view full size.</wrap> | | Axanar Productions is entirely focused on making Star Trek fan films. | Not according to what was told to backers of the [[axanar_kickstarter_details|Axanar Kickstarter]] campaign: "This [studio] will be the permanent home of Axanar Productions and allow us to do more than just //Axanar//, from other adventures in the Star Trek universe and beyond. David Gerrold (author of 'The Trouble with Tribbles') is already lined up to shoot his sci-fi series, //Running Dark//, here."(([[https://www.kickstarter.com/projects/194429923/star-trek-axanar/description|Axanar Kickstarter campaign page]], retrieved 3/1/16.)) | {{::ks-studio.jpg?direct&100|}} \\ <wrap lo>Click image to view full size.</wrap> |
 | If the Axanar team wants to make other films, those will be done through a separate production company, as is standard business practice in Hollywood. | This is true. Many production companies develop films, [[http://www.raindance.org/development-finance-for-films/|preparing them for production]], and then creating a separate Limited Liability Company in which investors put in money solely for the production of a specific film. The development company often becomes one of the equity partners in that new company. It retains a financial, income-generating interest in each film. So while the two companies are legally separate, they are not completely unrelated. | [[http://www.raindance.org/development-finance-for-films/|Raindance: Development Finance for Films]] | | If the Axanar team wants to make other films, those will be done through a separate production company, as is standard business practice in Hollywood. | This is true. Many production companies develop films, [[http://www.raindance.org/development-finance-for-films/|preparing them for production]], and then creating a separate Limited Liability Company in which investors put in money solely for the production of a specific film. The development company often becomes one of the equity partners in that new company. It retains a financial, income-generating interest in each film. So while the two companies are legally separate, they are not completely unrelated. | [[http://www.raindance.org/development-finance-for-films/|Raindance: Development Finance for Films]] |
-| The rented warehouse Axanar converted to a sound stage, which they called Ares Studios, is just like that used by Star Trek: New Voyages and Star Trek Continues. | Not according to the Axanar Annual Report, 2015, Revised, which notes that other fan productions' studios are single-purpose — with standing sets used only for making their own films. Axanar's sets are not standing; according to their annual report, they're expressly designed to be easily disassembled so Axanar can earn money from the studio: “At Axanar, <wrap hi>we are building a fully-functioning sound stage that we will also be able to rent out to support the production and the studio. That means no standing sets.”</wrap>(({{:axanar-annual-report-v2.pdf|Axanar Annual Report, 2015, Revised}}, p. 11, 12/15/15.)) | {{ ::ar-p015.jpg?direct&100|}} \\ <wrap lo>Click image to view full size (Axanar Annual Report, 2015, Revised, p. 11.)</wrap> |+| The rented warehouse Axanar converted to a sound stage, which they called Ares Studios, is just like that used by Star Trek: New Voyages and Star Trek Continues. | Not according to the Axanar Annual Report, 2015, Revised, which noted that other fan productions' studios are single-purpose — with standing sets used only for making their own films. Axanar's sets are not standing; according to their annual report, they're expressly designed to be easily disassembled so Axanar can earn money from the studio: “At Axanar, <wrap hi>we are building a fully-functioning sound stage that we will also be able to rent out to support the production and the studio. That means no standing sets.”</wrap>(({{:axanar-annual-report-v2.pdf|Axanar Annual Report, 2015, Revised}}, p. 11, 12/15/15.)) | {{ ::ar-p015.jpg?direct&100|}} \\ <wrap lo>Click image to view full size (Axanar Annual Report, 2015, Revised, p. 11.)</wrap> |
  
 [{{ ::ares-studios.jpg?250|**ARES STUDIOS** is the Valencia, Calif., soundstage being retrofitted by Alec Peters with funds raised by donors to //Axanar//.}}] [{{ ::ares-studios.jpg?250|**ARES STUDIOS** is the Valencia, Calif., soundstage being retrofitted by Alec Peters with funds raised by donors to //Axanar//.}}]
 +
 ==== Paying the Rent ==== ==== Paying the Rent ====
  
Line 45: Line 46:
 <WRAP box> <WRAP box>
 {{ :view-charts.png|Rotate mobile device for best view of chart}} {{ :view-charts.png|Rotate mobile device for best view of chart}}
 +
 ===== Myth 3: The Lawsuit is About Money ===== ===== Myth 3: The Lawsuit is About Money =====
 </WRAP> </WRAP>
Line 54: Line 56:
  
 ---- ----
-**Keywords** {{tag>lawsuit commercial defendants plaintiffs}}+<wrap right>**Keywords** {{tag>lawsuit commercial defendants plaintiffs fact_check}}</wrap>