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august_2018_update [2018/08/22 15:17] – [Budget?] edits to tighten Carlos Pedrazaaugust_2018_update [2018/08/23 15:06] – [The Four Years War] edits to clarify Carlos Pedraza
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 {{::comic-con_premiere.jpg|}} \\ {{::comic-con_premiere.jpg|}} \\
 <wrap lo>**RED CARPET PREMIERE** OWC Studios head Alec Peters says he wants to premiere the Axanar short films at San Diego Comic-Con 2019, four years after //Prelude to Axanar// debuted there. <wrap indent lo>//Image/TrekMovie.com//</wrap></wrap> <wrap lo>**RED CARPET PREMIERE** OWC Studios head Alec Peters says he wants to premiere the Axanar short films at San Diego Comic-Con 2019, four years after //Prelude to Axanar// debuted there. <wrap indent lo>//Image/TrekMovie.com//</wrap></wrap>
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 +<WRAP>//**__<wrap em lo>Fact Check</wrap>__**//</WRAP>
  
 ====== Axanar Aims for Winter Shoot, Comic-Con 2019 Premiere ====== ====== Axanar Aims for Winter Shoot, Comic-Con 2019 Premiere ======
  
-**//AxaMonitor Fact-Checks Alec Peters' August 2018 Production Update//**+**//Production Update Proposes Dubious Shooting Schedule, Fails to Mention How $200K Project's Being Financed//**
  
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 Peters told fans on the [[http://www.axanarproductions.com/axanar-production-update-august-2018/|Axanar blog]] that he's planning on a two-day December-January shoot in Los Angeles, followed by up to another two days in Atlanta a couple of months later, with a premiere he hoped to stage in San Diego while Comic-Con happened in July 2019. Peters told fans on the [[http://www.axanarproductions.com/axanar-production-update-august-2018/|Axanar blog]] that he's planning on a two-day December-January shoot in Los Angeles, followed by up to another two days in Atlanta a couple of months later, with a premiere he hoped to stage in San Diego while Comic-Con happened in July 2019.
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 ===== Winter Shoot, Summer Release ===== ===== Winter Shoot, Summer Release =====
  
-Peters' update waits until its final paragraphs to talk about //Axanar//'s shooting schedule, and qualifies the announcement:+Peters' update waits until its final paragraphs to talk about //Axanar//'s shooting schedule, though with a number of caveats:
  
 > <wrap hi>This has only been discussed briefly</wrap>, we think we are looking at two days of shooting in Los Angeles in Dec. – Jan. and then two days of shooting in Atlanta a month or two later.  Our goal is to have everything in the can by end of February and a release date next summer. <wrap hi>If all goes as planned</wrap>, another red carpet event at [San Diego] Comic-Con will be planned.(([[http://www.axanarproductions.com/axanar-production-update-august-2018/|Alec Peters, Axanar blog]], Axanar Productions website, 8/21/18. [//emphasis ours//])) > <wrap hi>This has only been discussed briefly</wrap>, we think we are looking at two days of shooting in Los Angeles in Dec. – Jan. and then two days of shooting in Atlanta a month or two later.  Our goal is to have everything in the can by end of February and a release date next summer. <wrap hi>If all goes as planned</wrap>, another red carpet event at [San Diego] Comic-Con will be planned.(([[http://www.axanarproductions.com/axanar-production-update-august-2018/|Alec Peters, Axanar blog]], Axanar Productions website, 8/21/18. [//emphasis ours//]))
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 <wrap lo>**Omits Facts**</wrap> Peters' account also leaves out a couple of crucial facts, according to Gossett, including the fact Gossett directed //Prelude// and had quite a bit to say about its format and title. <wrap lo>**Omits Facts**</wrap> Peters' account also leaves out a couple of crucial facts, according to Gossett, including the fact Gossett directed //Prelude// and had quite a bit to say about its format and title.
  
-"I was there for that conversation," he said, "and the decision to finalize our ideas about the numbering was mine as director. They presented ideas, we discussed them, and I chose from those ideas."((Facebook Messenger conversation between Christian Gossett and AxaMonitor editor Carlos Pedraza, 8/22/18.))+"I was there for that conversation," — a fact Peters neglects to mention, he said — "and the decision to finalize our ideas about the numbering was mine as director. They presented ideas, we discussed them, and I chose from those ideas."((Facebook Messenger conversation between Christian Gossett and AxaMonitor editor Carlos Pedraza, 8/22/18.))
  
 Since Gossett's public break from the project (Gossett was deposed in the lawsuit as a witness for CBS/Paramount), Peters has publicly minimized Gossett's contributions to //Prelude// and tried to blame him for [[peters_comikaze#studio_not_the_best_call|Peters' admitted bad decision]] to lease a studio for three years that he only needed for a number of months. Since Gossett's public break from the project (Gossett was deposed in the lawsuit as a witness for CBS/Paramount), Peters has publicly minimized Gossett's contributions to //Prelude// and tried to blame him for [[peters_comikaze#studio_not_the_best_call|Peters' admitted bad decision]] to lease a studio for three years that he only needed for a number of months.