Differences
This shows you the differences between two versions of the page.
Both sides previous revisionPrevious revisionNext revision | Previous revision | ||
jenkins-interview [2021/07/21 05:18] – [Why?] Carlos Pedraza | jenkins-interview [2021/07/27 12:44] (current) – Carlos Pedraza | ||
---|---|---|---|
Line 5: | Line 5: | ||
====== Why the Danger Posed by Peters is Worth a Court Battle ====== | ====== Why the Danger Posed by Peters is Worth a Court Battle ====== | ||
- | <fs large>// | + | <fs large>// |
{{TOC}}{{page> | {{TOC}}{{page> | ||
Line 13: | Line 13: | ||
//Jenkins granted AxaMonitor a lengthy interview in which he describes Peters’ flawed leadership of the ill-fated fan film as “cult-like, | //Jenkins granted AxaMonitor a lengthy interview in which he describes Peters’ flawed leadership of the ill-fated fan film as “cult-like, | ||
- | The entire interview appears below. An [[http:// | + | **EDITED VERSION** While the entire interview appears below, an [[http:// |
**DISCLOSURE** AxaMonitor editor Carlos Pedraza has served as a consultant to Jenkins’ project, contributing research and documentation. | **DISCLOSURE** AxaMonitor editor Carlos Pedraza has served as a consultant to Jenkins’ project, contributing research and documentation. | ||
- | ====== Why? ====== | + | ===== Why? ===== |
**Q. Why are you making this documentary? | **Q. Why are you making this documentary? | ||
Line 31: | Line 32: | ||
{{youtube> | {{youtube> | ||
<fs smaller>// | <fs smaller>// | ||
- | ---- | ||
</ | </ | ||
- | During my time on Axanar as its director, I witnessed a near constant barrage of online agitation, anger and hatred aimed at anyone who questioned the missing money, or who Peters felt had upset or slighted him. On more than one occasion, I stepped in; I spoke a couple of times publicly about how I sympathized with the frustrated donors, and this put me at odds (although I could not have imagined the extent) with Alec Peters. As the situation worsened, I learned, incredibly, of Peters’ secret Facebook group called the Troll Hunters whose entire existence seemed to revolve around discrediting and attacking detractors of Axanar. I made it clear I could not continue if these behaviors did not stop, and this, I feel, put Peters in a difficult position because it was now clear my company and I had witnessed a lot of things that he would have preferred we did not see. When we objected to a particularly egregious violation of normal protocols, Peters fired us from the project, made the spurious claim that I had ”done no work,” and almost immediately threatened to sue us if we did not sign a separation agreement he had concocted. And so, we’re going to follow the path of this particular lawsuit and, I suppose, show the hell I have to deal with as we embark on this awful rollercoaster ride. We’ll ask the question, “How much damage can one fan do?” The answer, I think, will upset and potentially overwhelm a lot of people. There are quite a few impactful revelations in our documentary that will surprise even those who thought they knew how bad it could be. | + | **During my time on Axanar** as its director, I witnessed a near constant barrage of online agitation, anger and hatred aimed at anyone who questioned the missing money, or who Peters felt had upset or slighted him. On more than one occasion, I stepped in; I spoke a couple of times publicly about how I sympathized with the frustrated donors, and this put me at odds (although I could not have imagined the extent) with Alec Peters. As the situation worsened, I learned, incredibly, of Peters’ secret Facebook group called the Troll Hunters whose entire existence seemed to revolve around discrediting and attacking detractors of Axanar. |
+ | |||
+ | I made it clear I could not continue if these behaviors did not stop, and this, I feel, put Peters in a difficult position because it was now clear my company and I had witnessed a lot of things that he would have preferred we did not see. When we objected to a particularly egregious violation of normal protocols, Peters fired us from the project, made the spurious claim that I had ”done no work,” and almost immediately threatened to sue us if we did not sign a separation agreement he had concocted. And so, we’re going to follow the path of this particular lawsuit and, I suppose, show the hell I have to deal with as we embark on this awful rollercoaster ride. We’ll ask the question, “How much damage can one fan do?” The answer, I think, will upset and potentially overwhelm a lot of people. There are quite a few impactful revelations in our documentary that will surprise even those who thought they knew how bad it could be. | ||
===== Alec Peters' | ===== Alec Peters' | ||
Line 70: | Line 72: | ||
**Alec Peters violates** the terms of his agreement on a daily basis, and by lying to us he essentially exposed us to the wrath of CBS. This affects us in a couple of ways: I happen to actually work in the entertainment business and my work across multiple media brings me in contact with any number of corporations like CBS/Viacom. I have absolutely no desire to burn any bridge and will never know if any bridges have been unwittingly burned. This is extremely difficult to accept — Peters’ cavalier regard for the truth in this matter might have damaged relationships irreparably. | **Alec Peters violates** the terms of his agreement on a daily basis, and by lying to us he essentially exposed us to the wrath of CBS. This affects us in a couple of ways: I happen to actually work in the entertainment business and my work across multiple media brings me in contact with any number of corporations like CBS/Viacom. I have absolutely no desire to burn any bridge and will never know if any bridges have been unwittingly burned. This is extremely difficult to accept — Peters’ cavalier regard for the truth in this matter might have damaged relationships irreparably. | ||
+ | ---- | ||
+ | //See also: [[cbs_settlement|CBS-Axanar Settlement Agreement]]// | ||
+ | ---- | ||
==== The Countersuit ==== | ==== The Countersuit ==== |